[Testo disponibile solo in inglese] We are both, Amélie and Quentin, Die containers a duo of designer artist. We met at the Estienne school (EISAIG) during our Typographic Design bachelor degree. Then we both integrated the DSAA of Design and Digital Creation, but in two different schools.
The name Die Containers was found naturally. It comes from the name of the sound system we are both part of. We are not at all familiar with the objects that are the containers,...[Testo disponibile solo in inglese] We are both, Amélie and Quentin, Die containers a duo of designer artist. We met at the Estienne school (EISAIG) during our Typographic Design bachelor degree. Then we both integrated the DSAA of Design and Digital Creation, but in two different schools.
The name Die Containers was found naturally. It comes from the name of the sound system we are both part of. We are not at all familiar with the objects that are the containers, but nevertheless they carry in them the terms of travelling, transporting but especially the notion of «coming from somewhere else» to which we are identified. Because indeed our way of producing is rather rare, we work the digital matter by physical machines.
Modular visual and sound synthesizers, cameras and sensors of all kinds are our cards to be able to export/import all kinds of productions going from performances to editing through installations and short films.
The name Die Containers was found naturally. It comes from the name of the sound system we are both part of. We are not at all familiar with the objects that are the containers,...[Testo disponibile solo in inglese] We are both, Amélie and Quentin, Die containers a duo of designer artist. We met at the Estienne school (EISAIG) during our Typographic Design bachelor degree. Then we both integrated the DSAA of Design and Digital Creation, but in two different schools.
The name Die Containers was found naturally. It comes from the name of the sound system we are both part of. We are not at all familiar with the objects that are the containers, but nevertheless they carry in them the terms of travelling, transporting but especially the notion of «coming from somewhere else» to which we are identified. Because indeed our way of producing is rather rare, we work the digital matter by physical machines.
Modular visual and sound synthesizers, cameras and sensors of all kinds are our cards to be able to export/import all kinds of productions going from performances to editing through installations and short films.
